This is to announce the second big update of my website, which is an invitation to take an electronic tour with me through the streets of Reykjavík (September-October 2016) and marvel at some (not all: I will try to get to the rest in my next visit to the city) of the highly... lyrical! pictorial murals left by the two editions (2015 and 2016) of the Wall Poetry project, a collaboration between Urban Nation (an international network of street artists based in Berlin, now aiming at founding there the Urban Nation Museum for Urban Contemporary Art) and the Iceland Airwaves music festival, plus a few other pieces of highly worthy city art murals. No more words: take the walk with me and enjoy!
Currently showing posts tagged street art
La línea es continuidad.
As explained in p. 45 of the catalogue of the Points of View exhibition of Reykjavík's Culture House (edited by the National Museum of Iceland), "When examining the visual cultural heritage of Iceland it seems the age does not matter; it always contains different versions of the same type of imagery". The section "again & again" of Points of View focuses on the timeless repetition of patterns like the bine, interlaces (so prominent in the nordic and northatlantic cultures as many of you can easily recall), loops, knots...:"This pattern [the bine] had such a tenacious hold in Iceland that for a period of time a variety of it was referred to as the 'Icelandic style'".
Yes, there is the line, here in Iceland infinitely expresssed through the centuries as an uninterrupted, seemingly infinite series of loops and interlaces. The line as the cultural link that joins all the past, present and future members of a cultural group around an endlessly shared pattern of worldviews.
And also the line joining them, through the vehicle of the written word, under the still wider umbrella of the ampler cultural realm to which those people are also, more remotely but still strongly enough, linked.
It seems to me that the cohesive force of the line is self-evident too in the productions of the street artists of today's Reykjavík (and perhaps occassionaly foreign contributors to the same), as you can see in my selection of the photographs I made during my stay of Autumn 2016 in Iceland's capital. Put them together, old and new, and the link of culture throug the line is inescapably and intriguingly noticeable...
Do you see continuity?